Evergreen Playhouse’s spring musical ‘Into the Woods’ opens Friday

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The Evergreen Playhouse invites audiences to journey with them “Into the Woods” over the next three weekends as it presents the fan-favorite musical as the final show of its 65th season.

A 1986 musical by composer Stephen Sondheim, “Into the Woods” intertwines the plots of several Brothers Grimm fairy tales, including Little Red Riding Hood, Jack and the Beanstalk, Rapunzel, Cinderella, and others to explore the question: “Are you certain what you wish is what you want?” 

“You see all the classic stuff that we’re used to with, you know, Prince Charming and all this, and everyone gets their happy ever after, and then there’s act two, where you see what happens after,” said show director Jed Slaughter. “ … The whole opening, they’re saying ‘I wish, I wish, I wish,’ and they get it, but is that really what they wanted? Or what they think they wanted?”

A lifelong fan of Sondheim’s work, Slaughter tackled the Evergreen Playhouse’s production of “Into the Woods” as his directorial debut  after he acted in a production of “Into the Woods” in Auburn last year.

“It was shortly after we closed that that they announced the season here, and I said ‘Well, I've got some ideas,’” Slaughter said.

Slaughter makes full use of the Evergreen Playhouse’s space, with actors utilizing all seven entrances and exits within the theater, including several behind the audience.

“I knew it would fit really well in this space,” Slaughter said of the show. “All the different entrances and exits that you can use are just different paths in the woods.”

While the show contains no explicit content that’s inappropriate for children ages eight and up, the Evergreen Playhouse advises families that the story is a dark one — particularly after intermission — and may not be suitable for young audiences.

“It’s more (based) off of the Grimm fairy tale, so there are people getting blinded by birds, stepped on by giants, you know, things like that,” Slaughter said.

The show’s runtime is approximately 2 hours and 45 minutes with a 15 minute intermission between acts one and two. The tone shift occurs in act two after intermission.

“We all know too well that life is a roller coaster, so remember that even when things get bleak at times for our characters tonight, it also means there are surely some more high times to come in the Act III that we don’t get to see,” Slaughter wrote in a director's note included in the show’s program.

Sensory warnings for the show include thunder and rumble sound effects, flashing lights, blackouts, screams and microphone audio volume changes.

“Into The Woods” opens Friday, May 30, and runs through Sunday, June 15.

Tickets are available for purchase online at https://evergreenplayhouse.com/season65. 

Tickets are $20 for adults and $17 for students and seniors.

Regular performance times are 7:30 p.m. Fridays and Saturdays and 2 p.m. on Sundays. A pay-what-you-can actor’s benefit performance is also scheduled for 7:30 p.m. on Thursday, June 5.

The Evergreen Playhouse is located at 226 W. Center St. in Centralia.

For more information and updates on available tickets for upcoming shows, visit https://www.facebook.com/EvergreenPlayhouse. 

Cast list

Baker: Ben Matthews

Baker’s Wife: Bri Hines

Witch: Melissa Maañao

Cinderella: Makaelynn Manning

Jack: Karsten Tomlin

Little Red Riding Hood: Ruby Stanton

Narrator/Mysterious Man: Matthew Michael



Cinderella’s Prince/Wolf: Kameron Bustetter

Rapunzel’s Prince: Chris Cabrera

Rapunzel/Cinderella’s Mother: Brittany Wilcox

Jack’s Mother: Sarah Amador

Cinderella’s Stepmother: Jennifer Wallace

Florinda: Michelle Wall

Lucinda: Sophie Bustetter

Steward: Dan Cutter

Milky White/Granny/Giant: Nicole Galyean

Cinderella’s Father/Brown Cow: Derek Wilson

 

Crew list

Director: Jed Slaughter

Stage manager: George Dougherty

Vocal director: Theresa McKenzieSullivan

Choreographer: Melanie Gladstone

Costume designer: Emilie Brown

Lighting designer: Danielle Kays

Scenic painter: Theresa McKenzieSullivan

Props designer: Alene Stewart

Light board operator: Cora Dailey-Lawson

Mic board operator: Isaac McKenzieSullivan

Set build lead: Isaac McKenzieSullivan

Set construction: Mark Pendleton, Brian Hollander, Jeff Eisel, Theresa McKenzieSullivan

Posters and program: Designs by Danielle Kays

House manager: Michelle Koenen